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Gemma Horbury

Performance, Art, Community

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    • Curator: La Mama Musica
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 The story of here

2023-24, narrator and electroacoustic quintet, 49’59”

Cross Street Records, alternate take, released April 29, 2024
Recorded at Alan Eaton Studio, St Kilda
Engineered, edited and mixed by Ross Cockle
Produced by Richard Fields, Trailblazer Records
Mastered by Philip Rex
Artwork by Marcos Villalta
Photographed by Makiko Ryujin

VIDEO EXCERPT: Oxygen. Cover image by Darren Gill (La Mama Musica); Video shot by Hayley Miro, edited by James Masefield (Alan Eaton Studio)

A collaboration that intertwines spoken word, sound, and science to narrate the 4.6 billion year history of the Earth. Improvising ensemble Deep Carpet navigate a time-based score, traversing evocative soundscapes and genre-hopping games, unfurling a collective stream of consciousness – tumbling forward at a million years a minute.

Written and devised by Gemma Horbury, performed by Deep Carpet
Gemma Horbury - spoken word
Ros Jones – trombone
Kirri Büchler – violin, double bass, FX
Marcos Villalta – guitar, FX
Emily Bennett – synthesiser, voice, FX
Sarah Childs – sound design

VIDEO EXCERPT: Only the bird dinosaurs survived... Cover image by Darren Gill (La Mama Musica); Video shot by Hayley Miro, edited by James Masefield (Alan Eaton Studio)

 
 

Flux

2022, narrated video, 3’57”

Gambut Kita project: RMIT / Borneo Orangutang Survival Foundation - Central Kalimantan Flux Field Trip documentation

Trip report viewable here

 
 

Five minutes about the stars

2024, spoken word, 5’00”

Commissioned for Schizy Inc., Mojo Festival - Trades Hall, Carlton, 2024

 
 

Action on Cities

2022, a psychoacoustic walk, 3’30”

 

mother, daughter, lover

2018, audiovisual performance, 70 minutes

2018, One Square Mile, Satellite image, Google Maps. Yamatji Country, Bunjil, Western Australia

Mother, Daughter, Lover_ - 14.jpg
Mother, Daughter, Lover_ - 25.jpg
Mother, Daughter, Lover_ - 18.jpg

B&W images by Darren Gill

 
 

Studies for everlastings

2020, ASMR video, everlastings, 4’55”

 
 

grow

2020, uncommissioned public art, aeoniums, 5m x 1.2m, Thorbury Station 

 

DEAD SET

2012, 10-channel generative video installation and interactive mapping blog

Stop Upgrading: the end of analogue

 

While you were sleeping

2021, ASMR video, everlastings, 3’52”

 
 
 

2022, uncommissioned public art, aeoniums, 5m x 1.4m, Brunswick Tram Depot

 
 
 
 
 

“STOP UPGRADING began in late 2010 as a collaborative map attempting to document the number of TV sets and computer monitors being abandoned on the streets of Melbourne.

Given that Australia still has no effective e-waste recycling scheme, these products join 19 million other unwanted tellies already in our landfills.

And it’s set to get much worse as the transition to digital transmission gains momentum (Australia flicks the switch on December 31, 2013).[1]

If nothing changes, the amount of e-waste in Australian landfills will treble by 2020.”

Listen for the future

2020, lockdown participatory video art curation, La Mama Musica, 17 x 30 second videos

 

Ritual for plastic and flowers

2021, performance for UV light, plastic, synthesizers, everlastings